Gestating and preparing for the imminent arrival of the future twin overlords of humanity would be, you’d think, a tiring job. One that by all rights requires a fair amount of rest. After all, we all know Beyoncé‘s impending new additions aren’t so much going to arrive into the world kicking and screaming as they are going to hoist themselves out of her crystalline uterus with the braying of trumpet fanfare as they hover four feet above everyone’s heads; shimmering, cherubic orbs of radiant love and energy that instantly end all war across the globe.
Y’know, as the prophecy foretells.
‘Course Beyonce not being a mere mortal in any sense of the phrase has to be taken into account, and as such even when she is profoundly up the duff, she’s still finding the time to both a) attend fashion galas, and b) remind everyone who the motherfucking Queen is in the process.
In the biggest indication yet that we may well be getting an appearance from Mrs. Knowles-Carter at the looming Met Gala, Beyoncé stepped out at her mother’s Wearable Art Gala, replete in a form-fitting red gown that was *kissy fingers* and a flower crown that was *molto bennies.*
Look upon her works, ye mighty, and despair!
The gala wound up raising nearly US$1million for Richard Lawson and Tina Knowles‘ non-profit WACO Theatre Centre, which provides mentorships, guidance, and empowerment services for young people entering the arts (WACO, an acronym, stands for ‘where art can occur‘).
But let this be a lesson to all of you nay-sayers out there: Even when she’s temporarily acting as a human rickshaw, the Queen stays the Queen.
Always.
Source: Beyoncé.com.
Photo: Beyoncé/Instagram.
